Spotify is drastically changing their royalty model
Spotify’s 2024 royalty changes introduce a 1,000-stream minimum per song, fines for fraudulent streams, and stricter rules on non-music content, aiming to add $1 billion to the royalty pool over five years and increase payouts for serious artists.
By Andrew Southworth
Hey friends!
Today we’re going to talk about how Spotify is drastically changing their royalty model
This newsletter is also available as a podcast, listen on your favorite podcast platform here.
Increasing Royalties
As you might know, Spotify is a relatively fixed income output model…
People pay for subscriptions or watch ads
People generate streams
Spotify takes a 30% cut
Spotify divides everything left and pays artists
This means to raise royalty payments you either need more money coming into the system, or less streams happening in the system. However, Spotify’s idea for 2024 is to reallocate how that money is paid out.
There are 3 main changes that are happening on Spotify starting in 2024:
Songs will now require 1,000 streams per year before they start paying royalties
Songs that receive 90% of more streams from fraudulent sources will receive a fine of $10 to the distributor or record label
Audio that falls into ‘non-music noise content’ will require more than 30 seconds to count as a stream
Spotify estimates these 3 changes will add $1 Billion to the royalty pool over the next 5 years.
Meaning, artists unaffected by these changes get a pay raise.
Why this sucks
We’ll cover the good things in a second, but first lets talk about why this sucks.
It feels like Spotify is stealing from the poor to give to the rich
A $10 fine for fraudulent streams isn’t enough to deter major record labels
Do we trust Spotify enough to let them classify who makes ‘real music’ and who makes ‘noise’?
Indie artists just starting will feel less motivated to push forward because it will take them a little while to make any money.
What if they keep raising this threshold over time?
These are all valid concerns.
Do we really want a multi-billion dollar company deciding who gets paid and who doesn’t? Are they just going to keep this money instead of giving it to artists?
Why this is good
There are some good things about this change.
Serious artists will now make more money, and not just major artists but anyone that gets over 1,000 streams per song per year
Spotify is taking the fight against bots and click farms more seriously
Most noise music is designed to extract money from Spotify and isn’t actually art
The artists getting demonized are only missing out on a couple of $’s per year, nothing that they’re living on
1,000 streams per year per song is a fairly low bar to hit, and it doesn’t take long for indie artists to get there
Perhaps this causes artists to be more intentional with their releases and put out better music with a better marketing plan
People have brought up some crazy scenarios like ‘what if someone has 100 songs with 999 streams per year, they’ll be missing out on like $300+ per year’.
While that is true, this hypothetical person has much bigger problems in this case. Nobody taking this seriously should have 100 songs getting less than 1,000 streams per year. If they do, they messed up or are just treating this like a hobby.
How should you feel about it?
I’m not sure I have an answer for you here. I ran a poll on my YouTube channel and about 1/3rd of people hated it, 1/3rd of people loved it and 1/3rd of people were indifferent to it.
I would have much preferred a user-centric royalty model because it is much more fair.
There is precedence for Spotify creating a threshold considering that these platforms have some type of threshold as well:
YouTube
Instagram Content
Facebook Content
TikTok Content
Soundcloud
Audiomack
Either way, pending mass protests or legal action it is what it is. We have to accept it or pull our music from Spotify before the end of the year.
If you’re looking for help hitting 1,000 streams on your music there are a few things you can do:
Check out my course Spotify Growth Machine
Hire my ad agency Forbid Media
Use my playlist company Partnered Projects
Book a 1-on-1 consultation call
New Content
If you want to see my video on the exact topic of today’s newsletter, check this out:
TikTok just added a new feature where users can save songs in TikTok videos directly to Spotify, Apple Music or Amazon:
I spoke with Cassie Petrey, founder of Crowd Surf, who has worked on marketing campaigns for Backstreet Boys, Camila Cabello, Paramore and more!
Did you know you can listen to my music industry interviews on podcast platforms? Click here to listen to the Modern Music Marketing podcast.
News
Here are some music industry news highlights from the past week.
YouTube launches AI vocal clones of superstars on YouTube shorts
YouTube clearly marking all AI created content
TikTok launched it’s new ‘add to music app’ feature to easily save music to your Spotify, Apple Music or Amazon Music account
Nepal bans TikTok
Taylor Swift is Apple Music’s artist of the year for 2023
Sirius XM launches a $9.99 per month Spotify challenger
Quote of the Week
Life is too short not to create something with every breath we draw.
Whenever you’re ready, there are 4 ways I can help you:
My courses. Spotify Growth Machine teaches you how to use Facebook ads to promote your music on Spotify. YouTube Growth Machine teaches you how to grow a YouTube channel organically and how to use YouTube ads. Fan Growth Machine teaches you how to build a website, online store and grow your email list.
My ad agency. Forbid Media specializes in running Facebook conversion ads to promote your music on Spotify.
Website / Store / Funnels. MusicFunnels is the best all-in-one platform for music artists to make a website, online store, sales funnels and build their mailing list.
1-on-1 consulting. You can book 1-hour calls with myself or Alex Bochel here.
My Links:
🌍 MusicFunnels - Best website / store / funnels for music artists (get your 14-day FREE trial!)
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Make better decisions from your royalty data
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